The A=432 Hz Frequency: DNA Tuning and the Bastardization of Music

432 DNA Tuning, Frequency, and the Bastardization of Music

By Brendan D. Murphy

Guest Writer for Wake Up World

A=440Hz: Not Quite Music to My Ears

Humankind is the largely unwitting victim of a frequency war on our consciousness that has been waged for decades, if not millennia. The goal has clearly been to keep us as gullible and subservient as possible, through multifarious means.

In modern history in particular, there has been what Dr. Len Horowitz has referred to as the strategic “militarization” of music. This happened in 1939 when the tuning of the note ‘A above Middle C’ to 440 Hz was adopted in the world of music. In 1910 an earlier push to effect the same change was met with limited success. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard following staunch promotion by the Rockefeller-Nazi consortium—“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.”[i] This was the year that A=440 became the international standard.


The American Federation of Musicians had already accepted the A440 as standard pitch in 1917, and the U.S. government followed suit in 1920.[ii] One must surely ask why Nazi propaganda minister, Joseph Goebbels, argued for this odd intrusion into musical creativity, persuading Hitler’s supposed enemies in Britain to adopt this  “superior” standard tuning for the “Aryan/Master Race.” What did the Nazis (and their secretive by well-documented US financiers) have to gain from this?

It is interesting, also, to note that in October 1953, despite the British and Nazi push for the arbitrary A=440 standard (which is “disharmonic” vis à vis the physico-acoustic laws of creation governing reality), a referendum of 23,000 French musicians voted overwhelmingly in favour of A=432Hz.[iii] Many, many musicians, through recent centuries have expressed their strong preference for the A=432 reference pitch.

“This [A=432 Hz] tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.” [iv]

The Vibration of Sound

According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine [the lower four]. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration.[v]

Interestingly, the difference between 440 and 741 Hz is known in musicology as the Devil’s Interval.

For maximum suppression of human consciousness, the frequencies we naturally resonate with, and which are the most biologically and psycho-spiritually enhancing, must be maximally suppressed. Ancient Egyptian and Greek instruments have reportedly been found to be tuned to 432 Hz. As far as many guitarists are concerned, A=432 Hz seems to be the most practical, optimal, and most bio-friendly resonant tuning we have, although many musicians have also favoured A=444. (A=444 Hz belongs to a different scale, where C=528 Hz.)

432 DNA Tuning, Frequency, and the Bastardization of Music - Cochlear

But there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio/Phi as manifested in nature). [vi] According to Chas Stoddard in A Short History of Tuning and Temperament, this fractality/recursiveness allows octaves to be decoded at the same point in each layer of the spiral, and may therefore be why we can discern octaves at all (meaning, that without this cochlea design, we would just hear pitch rising or lowering, we would not be able to identify that, for example, 256 Hz is C, as is 512 Hz also C).[vii] The octave concept would be almost meaningless and sonically undetectable to us.

Somehow, Austrian genius visionary Rudolph Steiner (1861-1925) was on to all of this. He said:

“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz.”

The fact that Phi/Golden Ratio is so key in morphogenesis (the biological process that causes an organism to develop its shape) in humans and throughout nature suggests that there may be an interesting yet little-known relationship between the galactic harmonic of 432 that shows up in our solar system and the Golden Ratio.

432 DNA Tuning, Frequency, and the Bastardization of Music - Solfeggio Tuning Forks

A=432 is bio-neutral at worst, and is widely considered bioenergetically enhancing or healing if employed intentionally. Meditation music at 432 Hz is certainly relaxing and soothing, though I don’t consider there to be anything “transformative” about it, and transformative measures are what we so desperately need to intercede in our collective path at this time. As a musician and someone who uses the Solfeggio frequencies to perform DNA and kundalini activations for people who seek those healing and evolutionary services, I would actually go so far as to argue that, at this point in our history, the Solfeggio C at 528 Hz and not 512 Hz may be even more valuable to us in our search for reconnection to Self and Source — and most definitely facilitates people’s unplugging from the Matrix. It is widely associated with DNA activation, repair, and human transformation. (For more on this topic, please see my previous article: Diary of a DNA Potentiator – a Personal DNA “Hack-tivation” Story.)

Note the visible light spectrum and colour wavelengths. Look for 528 and notice where you land: in the region of the “green ray”, esoterically speaking. The higher harmonic of the green ray/frequency is absorbed and metabolised by the heart chakra vortex. It is no coincidence that the wavelength of visible light at 528 nm is also green. The one is a harmonic of the other. If humanity needs to supercharge anything in our bioenergetic anatomy at this point, it is surely our heart intelligence, which conduces to compassion, empathy, and intuition. (We have more than enough of the cunning of the ego-driven cephalic intelligence.) Here lies a clue to the potency and importance of C=528 but I don’t want to digress too far.

432 DNA Tuning, Frequency, and the Bastardization of Music - Frequency Chart

To return to the main thrust now. Maria Renold, in her book Intervals Scales Tones and the Concert Pitch C=128hz, claims conclusive evidence that A=440Hz tuning (above scientific “C” Prime=128/256/512 Hz, where A=432 Hz) “disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.” Modern “Equal Temperament (ET)” tuning was supposedly the excuse for musicians to play consonance, but, according to researcher Brian T. Collins (who strongly endorses Renold’s book), it actually diminishes perception of tone and resonant harmony.[viii]

Many people appear to endorse the view that, while A=440 music is more exciting (or aggressive, for some), it is more mind-oriented and disconnected from the human feeling centres, particularly the heart (which has by far the largest EM field of all bodily organs, including the brain, which it can actually entrain). Disconnecting the heart from the brain is — as history (and our present condition) shows us — catastrophic on a planetary scale; for many reasons, but fundamentally, it disconnects us from our innate wisdom and compassion as sentient beings, thus disconnecting us from each other and the other intelligent beings we share this planet with (not to mention the planet itself which is a living intelligence).

Ancient tuning practices employed the “Just Intonation” system of tuning. It featured “pure intervals between every note that were mathematically related by ratios of small whole numbers leading to a much purer sound.” From about the 16th century onwards, “Twelve-Tone Equal Temperament” tuning, according to Joachim Ernst-Berendt, commenced the mistuning of all consonant intervals except the octave.[ix]

As a guitarist(who writes music primarily on an electric guitar, I prefer to tune up to A=444/C=528 rather than further down-tuning to 432 (I already drop a full step down on the electric and one of my acoustics and don’t want to lower string tension any further). 528 derives from the ancient Solfeggio scale, as re-discovered by Dr. Joseph Puleo, a co-researcher and co-author with Dr. Len Horowitz of the well-researched and confronting book Healing Codes for the Biological Apocalypse. At A=444 I can feel the resonance almost on a cellular level—the vibrations go right through me, and the guitar feels almost like a part of me. The tone is beautiful and bright; highly resonant. This is not the case when I use 440 Hz (standard Western tuning). Electric guitars, lacking a resonant cavity, don’t make the distinction as easy, however, that doesn’t mean that our cells don’t appreciate the subtle difference.

I will discuss more on the Solfeggio scale and why 528 is so important in a coming article.

The Curious Case of 432

We see above an interesting relationship between the 432 and the number of completion arising as we look at this material below. The numbers suggest that the “universal” or solar constant of 432 has to do with the “completion” (or completeness) of the manifest material world.

Diameter of sun = 864,000 miles (432 x 2)

  • Interestingly 8+6+4 = 18 (1+ 8) = 9 the number of completion

Diameter of moon = 2,160 miles (5 x 432 = 2,160)

  • 2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45 and 4 + 5 = 9 as well.

Precession of the Equinoxes of Earth = 25,920 years (60 x 432) [x]

  • 2+5+9+2+0 also equals 9, while 6 x 9 = 54 and 5 + 4 = 9 also.

Interestingly, the leading acoustician in Beethoven’s time was Ernst Chladni (1756-1827), the godfather of cymatics. His music theory textbook explicitly defined C as 256/512 Hz, the “scientific” tuning. (The A above middle C in this standard scale is 432 Hz.)

Perhaps this is to do with 432 squared — 186,624 (1+8+6+6+2+4 = 9) — being within 1 percent accuracy of the speed of light, (186,282 miles per second, which also resolves to a 9!). The square root of the measured speed of light is 431.6(!) By deductive reasoning, we might speculate that “notes tuned relative to A432 harmonize directly with the light body [auric fields] allowing the vibrations to penetrate, and through entrainment, bring your energetic essence into balance. Entrainment is the tendency for a strong vibration to influence a weaker vibration.”[xi]

Inversely, A=440 tuning may produce a dissonant or “agitative” effect on the aura/mind — and anything that disrupts/disturbs DNA will create contraindications in the aura due to DNA’s innate sound-light translation mechanism. The human aura, of course, is the closest thing we have yet been able to point to as “consciousness” or “mind” in the manifest measurable world, as I demonstrate in The Grand Illusion : a Synthesis of Science & Spirituality.

Using 256Hz as the reference for C (where A=432), all occurrences of C are a power of 2. Interestingly, the Schumann resonance — earth’s electromagnetic “heartbeat” existing within the atmosphere between the earth’s surface and our ionisphere — ranges from about 7.83 to 8 Hz on average — very close to (and even the same as) 23. This isn’t terribly surprising if you consider the frequency of earth’s axial rotation:  “Earth’s ‘pitch’ (cycles per second/Hertz) as it rotates is G, a fourth below the theoretical C that lies 24 octaves below middle C, when C=256Hz. So C=256/A=432 is in tune with the Earth’s rotation,”[xii] which is “in tune” with the speed of light, which is “in tune” with the diameter of the sun, which is “in tune” with the diameter of the moon, which is “in tune” with the precession of the equinoxes!

That’s a lot of harmony, which is exactly what we should expect from a holofractal (scaled) plasma-based universe.

C#=544 Hz, NOT 554 Hz!

A.K.A The Breakthrough that Didn’t Quite Break Through

In a ground-breaking research collaboration initiated in the late 1980s, biologist David Deamer and composer Susan Alexjander sought to directly ascertain the frequencies emitted by the bases of our DNA (A, G, C, T). They did this by directly measuring the infrared absorption spectra of DNA molecules. These DNA frequencies were then arranged as “scales” of tones, and subsequently used as the basis for Alexjander’s musical compositions.

The atomic bonds within these base molecules “bend, stretch, and rock upon absorbing infrared light with a specific frequency related to the energy and strength of the bond and the mass of the nucleus of the atom. A tighter, smaller bond from, say, hydrogen, will absorb light with a higher wavenumber (number of waves per centimeter), and a higher ‘note’ in the infrared spectrum.” A spectrophotometer was used to ascertain the frequencies of the different bases. Inside this device, infrared light with frequencies ranging from 600 to 3000 wavenumbers (in units of cm-1) was passed through each sample, being absorbed at specific frequencies, which the instrument plots as a spectrum. Once the wavenumber was identified, it was converted to hertz using the following equation: Frequency (Hz) = velocity (speed of light) x wavenumber

Because this process involves infrared light—not sound—frequencies, huge numbers (megahertz) were obtained, that, if translated directly into hertz would be far beyond human hearing (and thus useless for creating a musical composition, as intended).  Recognizing that if they were to halve the numbers they were getting—and keep halving (decreasing them by octaves at a time) until the number fell within the audible range of sound frequencies, they would end up with the same notes only at much lower (audible) octaves. Each DNA base yielded 15 – 18 notes; 60 in all. Interestingly, it appears that none of the bases emitted an A# — it was the only note of the diatonic scale missing.

Once this data was collected, it was converted into a human hearing range and programmed into a Yamaha DX7 IID synthesizer. They needed to use a “special electronic keyboard… because the tunings that were derived were almost all microtones” (tones smaller than a regular semi-tone, the smallest interval generally used in Western music).[xiii] This presented Alexjander with a formidable challenge regarding creating actual musical compositions out of these tightly-packed clusters of DNA base notes. At first, there was no seeming organization or order to what she was seeing or hearing, when experimenting with the 60 different microtonal DNA notes on her synth.

432 DNA Tuning, Frequency, and the Bastardization of Music - DNA Frequency Keyboard

Then, after weeks and weeks of experimentation with different sound combinations, a “tonal center” began to emerge. One pitch in particular seemed to lend meaning and coherency to the challenging microtonal morass — a pitch common to all four bases: C#(!)

Adenine: 545.6 Hz

Guanine: 550

Thymine: 543.4

Cytosine: 537.8

Average DNA Hz = 544.2

This is where their project gets particularly interesting for those of us interested in sound-based healing, Just Intonation tuning, and the acoustic laws underlying creation.

You see, in today’s bastardized standard tuning (Equal Temperament), C#=554 Hz/A=440, and C=523. Look carefully at the frequency values of each DNA base above and you see that all four of them are fairly close to being tuned to this standard tuning (where A=440, the “Nazi tuning”). This C# “is positioned almost exactly in the center of the absorbency rates, and shows up as the average. This C# seems to act as a balancer for the entire spectrum of frequencies,” as Alexjander put it. She further observes that most of the gongs, bells, and drums of the non-Western world are tuned to this C# tonal center — as if we are collectively trying to subconsciously tune to something (natural cosmic harmonics).

What made my jaw drop, however, was not that the four DNA bases’ tuning averaged out at 544 Hz, fairly close to standard tuning where C#=554 Hz (a discrepancy of only 10 Hz). It was, rather, the fact that when A=432 Hz, as in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz — exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research! Astonishingly, Alexjander and Deemer have apparently missed this crucial correlation.

A=432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern “standard.” It places C# at 136.10 Hz [544 Hz four octaves higher] “Om,” which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us “It comes from nature.” – Dameon Keller. [xiv]

Now we are seeing a real basis for precisely why sound healing works—on every level of our beingness. It is a harmonic rule that whatever octave you are toning at, it will automatically resonate the other octaves of that note. So, even if you are toning vocally within the limited human vocal (or hearing) range, and you are toning into a chakra, if you have selected the “right” note, it can and will correct cymatic deformations in that chakra, even though the magnetic vortex of said chakra will be spinning at a frequency (and harnessing light at frequencies) far beyond the range of regular sense perception, and thus, invisible to most people. The law of harmonic resonance means that you will immediately affect light/matter on many octaves of the same note simultaneously. Because sound (vibration) organizes light/matter into form, it is potentially the most potent tool in a healer’s arsenal. Sound does strange and exotic things other tools cannot; “junk” DNA, for example responds to sound—codons can be turned on or off using acoustic vibrations, and our cell membranes (which are the “brains” of the cells) have antennae that detect sound vibrations and can pass them into the cellular matrix.

According to clairvoyant Barbara Brennan, former physicist and founder of the Barbara Brennan School of Healing, when she uses her voice in this way for healing chakra deformities, the chakra will stand up and spin correctly almost immediately. From there, it only takes a few seconds once a chakra is corrected on the first/etheric level to then become the correct color on the second level (emotional body) of the field.[xv]

Well known biologist Bruce Lipton has stated that, aside from the better known “lock and key” cell receptor sites, there are also antenna-like structures (“primary cilium”) on the cell membranes in our bodies that respond to vibrational frequencies:

Receptor antennas can also read vibrational energy fields such as light, sound, and radio frequencies. The antennas on these energy receptors vibrate like tuning forks. If an energy vibration in the environment resonates with a receptor’s antenna, it will alter the protein’s charge, causing the receptor to change shape…Biological behavior can be controlled by invisible forces as well as it can be controlled by physical molecules like penicillin…[xvi]

432 DNA Tuning, Frequency, and the Bastardization of Music - The ciliated respiratory mucosa

The ciliated respiratory mucosa. www.oldenglishsheepdogclubofamerica.org

Lipton’s material illustrates something about the mechanisms involved in epigenetic change, in this case epigenetic shifts triggered by sound. “Toning,” as intuitive channeller Barbara Marciniak is informed by her apparently interdimensional Pleiadian muses, “is a key to releasing stored knowledge. It unlocks a doorway and allows information to flood into your body…[I]n a very subtle way, it changes your perceptions.”[xvii]

Given that our DNA is tuned to the harmonic laws of creation—as seen in Just Intonation tuning—at C#=544 Hz, it makes complete sense that healing instruments like Tibetan sound bowls may be tuned to this natural scale.

I’ll be back later to share more about C=528 Hz and the importance of the Solfeggio frequencies. In the meantime, please remember that you are nonlocally and gravitationally connected to the resonant frequencies of the cosmos and that no one stands alone “outside” of the cosmos or cut off from everything (though they may feel like that at times). We’re all part of this huge resonant system, participating in dynamic feedback loops with intelligent subsystems such as the sun, the moon and the earth. Our sense of separation is strictly a brain-based “grand illusion.”

References: 

 

[i] Len Horowitz, Musical Cult Control, http://medicalveritas.org/musical-cult-control/

[ii] Gary Meisner, http://www.goldennumber.net/music/

[iii] Mark Brewer, Music of the Spheres: A Case for A=432Hz, http://markbrewerharpist.com/blog/2013/02/music-of-the-spheres-a-case-for-a432hz/

[iv] The Secret Behind 432Hertz Tuning, https://attunedvibrations.com/432hz-healing/

[v] Horowitz, op. cit.

http://ptolentinobioresearch.wikispaces.com/file/view/cochlea.jpg/77216849/cochlea.jpg

[vii] Brian, T. Collins, The Importance of 432Hz Music, http://omega432.com/432-music/the-importance-of-432hz-music

[viii] Ibid.

[ix] Karol Jankowiak, Solfeggio Frequencies Set Body into Full Harmony, http://www.wakingtimes.com/2014/02/01/solfeggio-frequencies-set-body-into-full-harmony/

[x] www.mythsdreamssymbols.com/432.html

[xi] Brewer, op. cit.

[xii] Ibid.

[xiii] Susan Alexjander, The Infrared Frequencies of DNA Bases, as Science and Art, http://www.oursounduniverse.com/the-infrared-frequencies-of-dna-bases-science-and-art-by-s-alexjander/

[xiv] Dameon Keller, http://dameonkeller.wix.com/esotericartschicago#!sound-&-vibration-and-color-&-light

[xv] See Brennan, Hands of Light, Bantam, 1988.

[xvi] Bruce Lipton, The Biology of Belief, 2005

[xvii] Marciniak, Earth, 68-9.

The Grand Illusion

The Grand Illusion - a Synthesis of Science and SpiritualityDid you know that modern neuroscience considers the brain as a receiver of consciousness rather than the generator of it?

Brendan D. Murphy’s book “The Grand Illusion : a Synthesis of Science & Spirituality” synthesizes the paranormal with today’s hard science, breaking through the outmoded world-view that we are just powerless little “meat computers”. Here, new and expansive vistas of possibility are laid bare, and the forces and energies produced by our consciousness that act on the world around us are blown open for your understanding.

Get ready for an introduction to the mysterious “fifth force” known to science – a “carrier wave” of consciousness that can travel at speeds far exceeding light. With the knowledge that we are incredible and immortal spiritual beings temporarily inhabiting a dream-like, multidimensional, holographic reality, we can indeed begin to turn life on this planet – which, for many, is a virtual nightmare – into The Grand Illusion.

Are you ready to meet yourself? “The Grand Illusion: a Synthesis of Science & Spirituality” is available at BrendanDMurphy.net and Amazon/The Grand Illusion.

Previous articles by Brendan D. Murphy:

About the author:

BRENDAN D MURPHY 150x150 Diary of a DNA Potentiator a Personal DNA “Hack tivation” Story

Critically acclaimed author and co-founder of Global Freedom Movement, Brendan D. Murphy is a leading expositor of the new paradigm of integrated science and spirituality/sovereignty. He is a passionate advocate of accelerated conscious evolution through sound-based DNA/kundalini activation and intentional harnessing of the life-supporting (negentropic) aetheric forces of consciousness, while also having experience in psychoenergetic and belief change modalities.

For Brendan, compassionately hacking the Matrix is more than just sport, it’s a way of life. He lives and breathes it, taking a stand for truth and beckoning others to join him on the path of informed, compassionate, and courageous living. Understanding that the outer world always holographically reflects the inner, Brendan believes idle research and information absorption is not enough — we must embody our ideals now and transmute knowledge into wisdom through willful and gutsy application.

“Enough of the slave species legacy we’ve been playing out for millennia! It’s time to rediscover sovereignty, infinite consciousness and our multi-dimensional selves. Evolution is calling. Will we answer?”

 


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  • Samantha

    Love this article!! There is a beautiful pianist named David Bailey whose music is quite something else!! Brings tears to my eyes when I play some of the tracks, like it’s healing my being on a cellular level. What’s equally as interesting is his story and the incredible stories from people who have ‘healed’ after having listened to his music. http://www.davidbailey-music.com

  • The Great Pyramid is known for its sacred geometry in harmony with Earth’s signature size and cycles. Its granite “coffer” in the “King’s Chamber resonates, when struck at A 432. Paul Horn tuned his flute to that for his inspiring concert there.

  • Correction: The “Pyramid coffer” resonates at A 438 when struck.

  • Ophir

    http://www.432player.com

    This Mobile Player plays ALL your 440hz music in the 432hz.
    Check it out for yourself.
    Love

    • Arnulfo Laniba

      Thank you.

  • Dean Kirkpatrick

    And GOD spoke…..everything was created by the very word of GOD.

  • Nini Anteh

    Hi all..
    This is a nice and clear explanation about 432 hz.
    Recently I’ve enjoyed Some 432 hz tracks on Youtube.
    i.e DNA Healing, Chakra Cleansing, etc for my relaxation purpose.
    To accompany those tracks, i create some that i think is more up beat.
    In my thought it’ll sharpening our focus and energizing spirit, so it is suit for jogging, driving, studying, working even dancing.
    here is one of the track (if not linked, just copaste to your web browser).

    Thankyou Wake-up world.
    Regards

  • Gianmaria Griglio

    Interesting article, there’s always something to learn. I wrote an article on 432hz tuning myself: http://www.gianmariagriglio.it/432hz/

  • Anders Barfod

    432Hz is a larynx neutral pitch for singing….440hz causes voice fatigue if you do not lay of a lot of weight when you go into your passaggio…

  • Steve McNeal

    Brilliant article and I can’t wait to look at all the links everyone’s shared!

  • whaaat

    If you wanna tune down, then tune down. But when you consider the fact that overtones exist in EVERY note and that those overtones vibrate at frequencies different than the fundamental note, then it’s easy to see that this article is total bullshit.

    • Arnulfo Laniba

      To tune down or up just one note, say the do or the fa, it means that all the rest will follow because it is a scale, isn’t it?
      So to tune up to 440 from 432, means that the rest follow, right?
      And yes of course, each note/tune/tone has its own frequency or hertz (number of vibration per second).
      And this is the crucial point: the hertz or vibration per second can harm us if it does not jibe to the vibration (hertz) of any of our 7 chakra which I believe is also the friend-frequency of our cells, brain, ear, heart, etc.

  • Maxim Chernousov

    a new iOS player what supports A432Hz instrument tuning. Plus many additional adjustable playback options
    http://www.alphasxplayer.com/

  • Brothalove

    432hz to me sounds way better than 440hz when i tune my guitar. If you take a keyboard or piano for example,and lets say you start at A and count 12 notes either up or down the key board you will end back on A. You can do this with any note and you will end up back on the note you started from right. So if you take 432 and devide that by 12 you will get 36. So that means that each note is exactly 36hz apart from each other if you are tuned in 432hz. So if you go up the keyboard and say we start on A 432 the next note will be 432+36=468hz which will be A Sharp.Then the next note which will be 468+36=504hz which will be B and so on and so on until you get to A again which will be 864hz. And if you add up any of the donominations in these numbers it always comes back to the universal number 9. My point here is that 432hz is perfect tuning because each note is 36hz apart from each other. Now if you do this with 440hz and devide it by 12 you get 36.666666666666664. Now just that number alone looks very scary to me and there is nothing about this number that is harmonious.I am sure they mention or talk about all these sixes in the bible some where.Anyway you see my point.
    So if you start at say A 440hz that means your next note will be 440+36.666666666666664=476.666666667 which will be A Sharp.And then add 36.666666666666664 to that and you have 513.333333334 which will be B and so on and so on until you get back to A again which in theory should be A 880hz.
    So that means that every note in between A440hz and A880hz is not a harmonious note it is a destructive note because it has decimal points all the way through the scale.
    So that is the easiest way of me trying to explain why 440hz is not in tune with nature and the universe
    where as 432hz is because the notes are exactly 36hz apart from each other,not 36.666666666666664 apart from each other. I hope this sort of makes some sense.
    Enjoy 432HZ

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • Musical hertz is defined by 16x/5 in the case of 440 , x is “small” phi of 360, in the case of 432 i believe its (x) “135 is the smallest number with exactly 7 representations as a sum of 4 positive squares: 135==1^2+2^2+3^2+11^2==1^2+2^2+7^2+9^2==1^2+3^2+5^2+10^2==1^2+6^2+7^2+7^2==2^2+5^2+5^2+9^2==3^2+3^2+6^2+9^2==5^2+5^2+6^2+7^2”.

    So put phi/137.5 as x or 135 into the equation above and you will have the hz, this is what we have not been told.

    ON a side note 666 in Octal is actually something like 436.

  • dimitrismavrokefalos

    The more i read about this debate it seems a bit pointless to me.
    You see I cant conceive of how can just One frequency be the optimal one when everything in the universe vibrates, oscillates and is in a constant ebb and flow…
    There are also the flute instruments where there can be a pitch slide each time a player plays a certain note and that creates a wonderful acoustic landscape.
    It is the same thing with other instruments as well such as handpan where this pitch slide of each note gives the instrument its vibrancy and special timbre.
    Anyways, mathematically it might make some sense based on the anointed 108 as holy number and its repetitions but please dont forget that even mathematics is a system we created to map reality and it is up to humanity to discard or upgrade a certain system and its rules in order to encompass a better understanding of reality.
    So fixed positions never helped anyone understand the world and it is the same thing that is happening with this debate about which frequency is the best or not. One fixed side tries to convince the other that its fixation is the right one.
    All i can propose is just experiment, see what suits you best and maybe in the end all that matters is above numbers and our current limited understanding of how sound works in the universe.

    • Arnulfo Laniba

      Hi bro,
      I think what I stated in my post above can help solve the confusion. THERE IS A SET OF DO-RI-ME-FA-SO-LA-TI THAT ARE THE FIRST OR PRIMORDIAL OR FUNDAMENTAL OR FOUNDATIONAL SET and this is the 7 sounds/frequencies of the 7 chakras which are the seats or power centers of the Holy Spirit. So, these 7 original sounds or notes are also the 7 sounds-notes-frequencies of the 7 traits of the Holy Spirit: (Self) Love, (Lower) Wisdom, Will, (Godly-Neighborly) Love which is the thymus gland, Earnest (thyroid), Patience (third eye, pituitary gland) and Meekness (pineal gland).

      These 7 chakras-Spiritual traits also correspond to the 7 colors of the rainbow, where first is red (love, female, of the heart), second is yellow (wisdom, male, of the mind) which two produce or pro-create the third chakra, orange or will (and action). So love + wisdom = will. But of the lower, human, carnal level.

      It requires the activation of the 4th chakra, thymus gland, heart chakra, love for God and neighbor to perfect and balance the 1st charka, self-love chakra, to be perfect and balance and complete.

      Then the 5th chakra boosts the power since it is Earnest. By Earnest, the move for implementation and completion and perfection intensifies, that which we see in human as the trait of earnestness or fervor or determination or perseverance.
      But this will tend to over-speed, right? And overlook the perspective of others. So what is the solution? Answer: Chakra 6 – Patience or the trait to see the other side/s before deciding and acting.
      So chakras 5 & 6 achieve balance. 5 pushes forward, 6 says, “Wait” when it is too fast.

      Finally, chakra or spiritual trait 7 is meekness. This is the last trait that can ensure that perfection will be achieve even by Luicifer or the worst or the most perverted of all creation or the worst of all prodigal son.

      For in the New Revelation, the Father says, and to paraphrase: “I prefer to re-calibrate the mind of the worst devil than to start another one which also has the potential of becoming another worst devil due to the gift of freewill I gave to everyone.”

      He also said that His love does not allow anyone to get lost forever, only temporarily. This is hidden in the parable of the lost sheep where the Shepherd left his healthy 99 to look for the lost 1. He was primarily referring to Lucifer. Not understood by the churches, but when they do, they/we will realize how deep is God the Father’s love for all and everyone!!!

      What you call ebb and flow of vibration in the Universe does not mean there can not be a base scale, or original octave — original do ri me — which is the foundation of vibration or motion we call life.

      In the book the Lord dictated to Jakob Lorber, The Gospel according to jesus Christ thru John (www.Jesus4you.net), the Lord told His disciples that God has created an original scale, the primordial Do Ri Me which are the sounds/notes of the 7 traits of His Holy Spirit which are actually His 7 traits.

      So, for example: when He feels love for self, He vibrates at chakra 1 which is 432 hertz. If He (as well as all of us, His creation) feels love for others, thymus gland, divine love for others, then, it vibrates at 525 hertz.

      And so on and so forth.

      God bless.

      Praise be to Him.

      • dimitrismavrokefalos

        Dear brother
        It seems to me that in order to be able to rejoice with the whole of creation, no distinction is necessary. Assuming your example about the lost sheep or Lucifer.
        Now if we translate sheep to frequencies. Then we can assume that all frequencies are holy and exist for a reason out there.
        The acceptance of an initial or primordial creation of a base set of frequencies seems that facilitates nothing other that a continuation of a dualistic type of mindset that doesnt allow for the whole of creation to be on equal terms. Gods wisdom may be better than that(human current frame of thought)
        A more tempting analysis would seem to me to pinpoint the importance of coherence by introducing dissonance and assonance on multiple different frequency levels. You see we focus on single sets of “truth” and we miss the whole picture when, in there, one can find All that is and ever will be.
        No sin has place in the kingdom of God, thus all sounds as in frequency terms(423,424,425…471 and so forth) cannot exist solely by themselves but they need to interrelate to create beautiful things such as binaural beats.
        So in order to encompass a better understanding of the magnificent universe we live in and we are and the laws that is governed by one needs to be in a position to expand ones awareness to include all that is and transcend mere hints of dualism that are still looming upon our heads from an era that is quickly fading only to be replaced be sheer beauty. And as Teilhard de Jardin points out.. the future seems to be moving towards a direction of increased coherence. This coherence may come through an act of collective participation towards a common vision of a new earth!
        Peace,Love and Light

  • Andy Golay

    Anyone have a source for the Rudolf Steiner quote? Can’t find it, even in his lectures on tone.

  • Arnulfo Laniba

    Hi guys!
    First of all, thank you for this article on the right music.

    Previous to this, I have been reading articles and listening to videos on 440 Hz, 432 Hz and 528 Hz topics. I have in fact downloaded Dr Horowitz’s book on 528.

    One thing is clear to me until now, after scanning your article above: the 432 camp and 528 camp are still not united or have not yet found common ground of unity.

    So, the writer above wrote “528 to belong to a different scale”. Not octave, but scale. I wish it was octave because it means harmonious. But when you said “scale” there is difficulty to find connection for 432 and 528 music.

    But believe me or not, I have found a specific point of unity for both A=432 and 528 Hz if you treat 528 Hz as the fa or 4th note or 4th chakra or heart sound.

    Here is how I did it.

    In a set of book called New Revelation which the Lord Jesus Christ dictated to Jakob Lorber of Austria in 1840-60s, the Lord stated that He has an original Do Ri Me. The title of the book is “The Great Gospel according to Jesus Christ thru John” (short: The Great Gospel thru John) which is 7,500 pages, 11 volumes (In F. Corne’s English translation/binding, it is 25 volumes).

    Years later, I encountered the subject of chakras as our 7 energy centers or 7 centers of the 7 traits of the Holy Spirit or what science calls the endocrine glands. In these 7 power centers, the spirit and matter meet.

    Anyway, it excited me to find that each chakra has its own specific sound or vibration or frequency or hertz becuase I believe it must be what the Lord mentioned in His book as the 7 original Do-Ri-Me-Fa-So-La-Ti,
    Meaning: the frequencise of the chakras are the original notes.

    Now, Dr. Horowitz made a convincing statement that 528 hz is the green’s frequency/ vibration. The 7 chakras-traits of God’s Spirit have colors, green is that of the 4th chakra or thymus gland or heart chakra. It is the fa – the primordial fa.

    Now, I heard it in the video of Dr. Horowitz where he sounded the 528 hz using the tuning fork. Remember, it is the hertz of the green or fa or thymus gland or heart chakra or divine love.

    I discovered that that fa sound is the do of chord D.

    So, from that fa, I step back to find its do, and I am shocked to discover that it is the do of A!

    So, A is the do, and D is the fa! The primordial do and the primordial fa.

    What I would like to ask Dr Horowitz et al is to check of these two are equal to the actual sound of our 1st and 4th charka, as I do not have tools to determine the tones of our 7 chakras. I understand that each chakra has levels of tones equivalent to what we call in the piano as octave. So it can be the lower do, that is, 432 can be the lower or lowest do, and it has higher frequencies for the higher do’s of the next octaves. But this is not a problem. And this is not our point.

    My point is: I have discovered that the A I was referring to is the or must be the A = 432!

    I am now 98% sure of my discovery, but give 2% doubt to the possibility that my guitar is not perfectly tunes.

    But nevertheless, I seem to find the common ground of unity for both 432 and 528 that have been at odds until now.

    432 is the do of A and 528 is the fa of the same A, which translate to D or do of chord D.

    And it has been known to all guitarists that D is the old companion chord of A.

    So, I ask anyone of you to check if I am correct.

    Love and LIght,

    Cocoy